Rec. (SN), Adderley (as), Miles Davis (t), Hank Jones (p), Sam Jones (b) and Art Blakey (d). the most famous jazz composers of all time, Ella Fitzgerald Sings the George and Ira Gershwin Song Book, Gerry Mulligan’s influential chordless quartet in 1952, the most important jazz genres in history, 10 of the Best John Coltrane Albums in Jazz History, The Best Big Band Music & Jazz Orchestras, ECM Records – 10 Albums That Changed the Landscape of Jazz, Saxophone Fingering Chart (Free Download), Django Reinhardt – Gypsy Jazz Guitar Legend, What Is Modern Jazz? Even they didn’t realise how great they were until it was all over. It proved the same for a number of rock groups, such as the Allman Brothers, Grateful Dead and Santana, that used the electric guitar as the solo instrument of choice, and set the standard for generations of jam-oriented bands to follow. This led to something of a temporary eclipse in his profile in the first half of the 1970s, although his creativity continued to diversify and deepen. As they reveal here, they delight shaking up mainstream values by going back to the chicken shack, 21st century style. 1963-64, For the five years he held his Junior Cook-Blue Mitchell quintet together, Silver had the perfect combination of his high-quality tunes and a band that had a magic interpretative touch. Nevertheless, it is tempting to call these original recordings definitive, if only because they do in fact define the essence of Rollins’ approach to improvisation, wringing every nuance and variation he can from the theme and its associated melodic and rhythmic patterns. Listen to the boost Pastorius gives the band, especially on his own compositions ‘Havona’ and ‘Teen Town.’ Reaching number 30 on the Billboard album chart, even today Heavy Weather remains as stunning in its overall effect as the day it was made. 1959, I don’t know what it was about Ornette that led record company executives to go for the overkill on the album names, but by the time Atlantic released this, the altoist’s debut on the label, he’d already had albums on Contemporary called Something Else!!!! Modern version of Naima: John Mclaughlin – After the Rain. This classic mid-50s session puts Frankie’s jazz credentials perfectly in order and throws down the gauntlet for everyone else. This CD collation of the earliest sides under his leadership, made for tiny labels such as Guild and Musicraft, will have your jaw sagging in amazement as he consistently delivers ideas that top even those of Parker. 1962-64, A key recording that more than any other defined the Nordic Tone in jazz, a Scandinavian kind of blues that places intensity, tone, space and meaning ahead of virtuosic athleticism. Rollins himself was clearly inspired enough by such material as ‘St Thomas’ and ‘The Moritat’ from Threepenny Opera to still be playing them in concert 50 years later. Rec. Start your journey and discover the very best music from around the world. Wayne Shorter’s touching dedication to his young daughter is a good example of advancing compositional techniques in 1960s jazz. Rec. Jazz lives onstage. 1993, Jazz as funk, funk as jazz: the two lexicons entwine and merge so as to lose meaning in one of the great live records of the 1990s. Rec. Snappy, stabbing, staccato rhythmic and melodic lines are repeated to trance giving the impression of a giant musical pinball machine on a rotating floor. Rec. The Kings of Dixieland. At a time when the music had “gotten thick” as Miles said, Kind of Blue distilled modern jazz into a cool and detached essence. Dream Weaver also introduced Keith Jarrett and Jack DeJohnette to the world before Lloyd’s subsequent LPs Forest Flower and Love-In became two of jazz’s biggest sellers. In fact, although he largely wrote theatre songs and classical music, much of his output is highly influenced by jazz. Helped by a cast that included Freddie Hubbard, Eric Dolphy and Bill Evans, Nelson delivered a set of profound meditations on the blues (including ‘Stolen Moments’) and then backed that up by playing the tenor saxophone with such force and inventiveness that he stood as an equal with the heavyweights listed above. Tatum’s popular and critical reputation has been secure ever since, his baroque creations simultaneously exciting and terrifying the listener. Rec. (KS), John Lewis (p), Milt Jackson (vb), Percy Heath (b) and Connie Kay (d). 1971, As much Canadian John Warren’s album as fellow baritone player John Surman’s, this record said that Surman was a star in the ascendant. The song is primarily in a minor key (it is usually performed in C minor, at least by instrumentalists), but a four bar ‘tag’ at the end of the final ‘A’ section resolves to the relative major. Canadiana Suite may be Peterson’s creative high water point, but Night Train defines him. | All rights reserved, Jazz Albums that Shook the World: The 1950s, Jazz Albums that Shook the World: The 1960s, Jazz Albums that Shook the World: The 1970s, Sonny Rollins: Albums That Shook The World, Miles Davis – Sketches Of Spain (50th Anniversary Edition) ★★★★★, Such Sweet Thunder: inside Duke Ellington's literary world, Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery ★★★★★, The Dave Brubeck Quartet – Time Out (50th Anniversary Legacy Edition) ★★★★★, Miles Davis – Bitches Brew (40th Anniversary Deluxe Edition) ★★★★★, Charles Mingus – Mingus Ah Um (50th Anniversary Edition) ★, Ten life-changing jazz piano trio recordings, Ornette Coleman – Original Album Series ★, John Coltrane – A Love Supreme: The Complete Masters ★, Jazz Albums That Shook The World: The 1970s, Jazz Albums That Shook The World: The 1960s, Jazz Albums That Shook The World: The 1950s. Rec. The Blue Note RVG version contain an extra track from this session. (KS), Rollins (ts), Jim Hall (g), Bob Cranshaw (b), Ben Riley and Harry Saunders (d). (SN), Tristano (p), Lee Konitz (as), Peter Ind, Gene Ramey (b), Jeff Morton and Art Taylor (d). Today, there it is on Hollywood soundtracks, an incontestable signifier of hip. Sebastian Rochford (d), Pete Wareham, Mark Lockheart (ts), Tom Herbert (b), Leafcutter John (programming) plus Jonny Philips (g), Ingrid Laubrock (ts), Joe Bentley (tb), Emma Smith (v) and Hannah Marshall (c). 3:26 PREVIEW Body and Soul. 1957, First issued simply as Basie and illustrated with “a tasteful” mushroom cloud it certainly had an explosive enough impact as it was his first album to capture the rich ensemble sound as well as the beat. Why? This remains the case with Jarrett and with the record, which is not only a jazz turning-point in its own right but one of the biggest-selling discs in the genre. It still isn’t. My theories on why that particular Miles album maintains its hold on the top of various charts never seem to settle comfortably on one explanation. Rec. (KS). Song For My Father features this group on two tracks, but not on the famous title tune, which instead ushers in the brilliant but short-lived quintet featuring Joe Henderson and Carmell Jones. For each one, we’ve suggested a classic version, as well as a more modern rendition, to check out…. He may have got more radical later, but this was a 100 per cent proof shot of the new on its initial release. Lorenz Hart’s lyrics are directed at a lover (actually a character named Val, short for Valentine, in the show), gently poking fun at his physical imperfections, but ultimately affirming the singer’s affections for the subject and begging him not to change. “If you like Kind of Blue, turn it over, look who plays on it,” says keyboardist Ben Sidran. Barely a month goes by without magazines, newspapers or TV programmes pushing yet another poll of the 100 greatest whatever. Rec. An album of precisely focused moods, fragments of melody are crafted into masterful compositions shaped by the timeless elegance of Stanko’s trumpet and the copacetic playing of his young protégés. Rec. No wonder the album was called Emergency, with every member of the band having so much to say but so little time to say it. Rec. sorted by: best. They’ve been around since 1991 refining a distinctive collective voice that prompted a name change to EST. Amazon.fr : Achetez Best Jazz Ballads 100 au meilleur prix. Not just another “greatest jazz albums” list of favourite recordings and biggest sellers but a fully annotated look at the albums that actually changed jazz, changed lives and brought the music kicking and screaming into the new millennium. Their attachment to deeply felt melody, unhurried intensity, framed with the Nordic Tone, and the comparatively unconventional, pop-like structures of their compositions endeared them to jazz and non-jazz fans alike, in the honest humanity of their playing. It took the UK, who habitually look to the USA for its jazz heroes, longer than most European countries to come under their spell, but this is the album that did it. ‘New York Minute’ is from the Don Henley album The End of The Innocence and songs by the likes of Steely Dan, Peter Gabriel, Paul Simon and Prince make this one of the first albums after 1990 to return to songs from popular culture once more as a basis for jazz improvisation. (SN) Re-released on CD by Verve, For decades Tatum was every jazz pianist’s first choice as the greatest piano of all but by the early 1950s his public profile was still minute compared with some of his contemporaries. Jazzfuel is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. The CD contains two alternative takes adding 10 more minutes of music. The world is changed, part one. So many UK jazz albums could fill this slot but this gets the vote for its ecstatic, exuberant playing from Surman and company and amazing, challenging writing from Warren. (KS), Count Basie (p), Thad Jones, Joe Newman, Wendell Culley, Snooky Young (t), Benny Powell, Henry Coker, Al Grey (tb), Marshall Royal (as, cl), Frank Wess (as, ts), Frank Foster, Eddie “Lockjaw” Davis (ts), Charlie Fowlkes (bar s), Freddie Green (g), Eddie Jones (b), Sonny Payne (d) and Neal Hefti (arr). Powell (p), Ray Brown (b) and Buddy Rich (d). Taking ages old Swedish folk melodies from Svenska Låtar and then interpreting them from a jazz perspective, Johansson’s carefully nuanced sound, the gradation of his touch, the exquisite detail of every note revealed by the meticulous recording quality captured a unique approach to jazz that has become widely influential. This is still the biggest-selling jazz album of all time in Japan. There’s no smouldering crater in the case of Kind of Blue, Miles’ melancholy, modal-jazz masterwork. This mixture of freedom (often “time, no changes”) and structure as well as the increasing sense of identity in McLaughlin’s playing framed by Surman and Oxley make for compelling listening. This one made it through a combination of memorable compositions (‘Melody For Melonae’) an attitude towards musical freedom fed by the new politics of the day and a consistent commitment to all-out emotionalism that is so forceful it frankly leaves the rest of his group in the shade. As Jelly Roll Morton had shown 50 years earlier, sometimes the best comes from a truly group effort. Modern version of Body And Soul: Lionel Loueke – Karibou. 1. Less concerned with the global or cosmic, MIC explored the micro-universe through the concept of non-idiomatic improvisation. Rec. By contrast, this compact little high-quality cardsleeve box of three CDs, accompanied by a magnificent 75-page booklet in French and English which contains lavish photographs and discographical details, is by some distance the best one-step intro Django’s staggering genius. Jamie Muir (perc), Hugh Davies (elec), Evan Parker (ss), Derek Bailey (el g) and Christine Jeffrey (v). This first of the series is a solo recital. With Benny Golson and Bobby Timmons supplying hard bop anthems such as the title tune, ‘Along Came Betty’ and ‘Blues March’, and the front line soloists refining their long, elaborate post-bop lines into the shorter and more pithy soul-based hard bop lines of the late 1950s, this Blakey band, and this Blakey album, defined soul jazz. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Indeed, the quintet responds to Komeda’s compositions with audible glee – there is measured intensity here but also the unmistakable glow of inspiration. 1965, Ravi Shankar’s 1962 Improvisations, with Bud Shank, and Don Ellis’ unrecorded Hindustani Jazz Sextet from 1965 briefly pointed the way but nothing prepared you for Indo-Jazz Suite, the first full collaboration between jazz and Indian musicians that was so hip it hurt in 1966. All that plus Joao’s wife Astrud as a last minute show stealer and you have a classic on your hands. No spam. 1976, Sometimes, when listening to Weather Report at their best and this is one of their very best, it’s worth pinching yourself as a reminder that at their heart, this band comprised one of jazz’s most basic jazz configurations. Not only the most gifted jazz drummer of his generation, bandleader Sebastian Rochford crafted sublimely original chamber music. In their own way this Hammond B-3 organ trio of the sort that has been around in jazz for at least 50 years pushed at the boundaries of jazz with rollicking grooves and extended keyboard improvisations. Rec. 2020 In Review December 10, 2020 11:08 AM By Phil Freeman. Lush Life was written by Billy Strayhorn between 1933 and 1936: Strayhorn was, remarkably, still a teenager when he began its composition. Loading; Dexter Gordon-Live At Carnegie Hall. Rec. each chord passes by twice as quickly) during the piano and tenor saxophone solos. This might be edgy music, but it is body music just the same, try ‘Coconut Boogaloo’ or ‘Sugar Craft’ then see if you can stop popping your fingers. That she has more or less continued on that path suggests it works for her on every level. (KS), Betty Carter (v), John Hicks (p), Curtis Lundy (b) and Kenny Washington (d). (KS), Herbie Hancock (p), Michael Brecker (ts), John Scofield (g), Dave Holland (b), Jack DeJohnette (d) and Don Alias (perc). Modern version of My Funny Valentine: Paolo Fresu – Tempo di Chet. Modern version of Blue In Green: Gretchen Parlato – The Lost And Found. An absolute and indisputable joy. Rec. Rec. The CD is a happily expanded version of the original vinyl, adding 27 minutes of excellent previously unreleased new music. Rec. 1. Rec. Rollins and Roach, currently making a success of the newly Clifford Brown-less Roach quintet, had worked for Monk before but both were seriously challenged by his material here. (KS) Reissued on Chess. That it worked for others can be heard in Lee Konitz and Warne Marsh, and that it was influential can be discerned through Bill Evans’s absorption of Tristano’s methods. 1985, Black Codes marks the time in young Wynton’s career when he moved from being a Blakey/Hancock prodigy and started to stake out his own ground. I also came to realise how narrowly I had been casting for new sounds. ‘Naima’ was reportedly Coltrane’s favourite composition. Rec. (KS)CD reissued on Revenant as Nefertiti – The Beautiful One Has Come. 1949-50, The wonder of Miles’ career is the sheer amount of times he seized the moment, grabbed the right people, and got them to deliver their best creative thoughts for him. (KS), Cassandra Wilson (v), Charlie Burham (vn), Brandon Ross, Gib Walton, Chris Whitley (g), Kenny Davis, Lonnie Plaxico (b), Kevin Johnson, Lance Carter, Cyro Baptista and Bill McClellan (d, perc) plus others. “Name me some music where you don’t hear echoes of it,” Herbie Hancock challenges. Rec. Features Song Lyrics for Charlie Parker's Best of Jazz Ballads album. 1998, Voted best jazz album of 1998 by The Guardian and part three of a musical odyssey that comprises five volumes stretching from 1996-2000. As well as exerting a decisive influence on anyone from the F-IRE collective to Omar Sosa, Coleman has always managed to reflect something of his times. Anyway, few observers of the day were bothered by the hyperbole, more by the claim that Ornette had any musical worth whatsoever. Sam Braysher is an alto saxophonist based in London. Some of the charts wear better than others, but the overall feel is timeless. (SN), Tomasz Stanko (t), Marcin Wasilewski (p), Slawomir Kurkiewicz (b) and Michal Miskiewicz (d). The 1960s was a decade when that orthodoxy was reversed, with Charlie Haden’s debut album at the decade’s end being one of the most explicit endorsements of leftist sentiments to be found in the entire jazz world. Little wonder that in December 1965 they were the first jazz act ever to play San Francisco’s legendary Fillmore Auditorium paving the way for The Fourth Way and the sonic zeitgeist that followed. Rec. 1966, Voted “new star” by Downbeat in 1965, the emergence of the Charles Lloyd Quartet took jazz by storm in 1966, expanding musical horizons with a challenging eclectic amalgam of modal and free jazz with Eastern textures and Spanish soul. More influential on the jazz community directly, on Miles, Coltrane and Oliver Nelson, than through its sales, this is the one that so many musicians still check out. Read more about Ella Fitzgerald as part of our list of the best jazz singers in history. Jazzwise Magazine, Rec. Rec. You’re welcome to suggest new songs – or new versions – in the comments section! Find album reviews, stream songs, credits and award information for All-Time Greatest Jazz Ballads - Various Artists on AllMusic - 2011 History. Rec. 1925-1930, If Jelly Roll Morton represents the high water of New Orleans polyphony through his Red Hot Peppers recordings of around this same time, Armstrong’s Hot Fives and Sevens reach out into the music’s future by allowing the incredible improvisatory genius of Armstrong to reach its first outrageous flowering. (KS), Armstrong (ct, v), Honore Dutrey, Edward Kid Ory, J.C. Higginbotham, Jack Teagarden (tb), Johnny Dodds, Don Redman, Jimmie Noone (cl), Barney Bigard, Happy Caldwell (ts), Lonnie Johnson (g), Johnny St Cyr (bj), Lil Hardin, Earl Hines (p), Baby Dodds, Zutty Singleton (d) and others. Within this admirably packaged 4-CD set from 2000 (easily the best collective incarnation of this music on disc) Armstrong’s accompanying groups expand to meet his conception as the years go by while Louis himself keeps making that big picture bigger. Using the bubbly Clark Terry and Paul Chambers on a subsequent session was a stroke of genius, as was the unaccompanied piano track. Norman Granz decided to fix that: between 1953 and Tatum’s death in 1956 Granz recorded well over 200 selections and issued them on Clef and Verve. 1956, Norman Granz had long cherished the ambition to have Ella recording for his label but had to wait until 1956 to make the signing. More so than his previous albums, this was the one that put him on the map, as much for a version of ‘Exit Music (For A Film)’ that turned Radiohead into Beethoven as his deeply haunting version of Nick Drake’s ‘River Man’ that hipped a legion of young jazzers to two fresh new sources of repertoire. Jazz, of course, rarely gets a look-in. 11 tracks Play album Buy. It had always been there in his music, but now, marrying the élan and high spirits of Flora Purim and Airto with his own naturally ebullient and melodically uplifting inclinations, Corea suddenly not only stepped forward himself past the stentorian gloom and machismo of the other fusioneers of the day, but redefined exactly what latin jazz should be about. Jazz and blues roots have often been vocal starting points for revivals of every type, so it’s appropriate that Wilson, with her burnished alto voice, should reach in that direction to find not only a crossover audience but establish a new consensus alongside the Great American Songbook to underpin her artistic credibility. ) 2020 11 tracks Play album Buy. The highlight may have been ‘Poinciana’, but every track is an object lesson in how to draw the best from a tune. Equal partners, they sustained a musical dialogue on selection after selection that has rarely been equalled within the earshot of a professional microphone, with the astonishingly inventive LaFaro perhaps meriting the sobriquet of senior partner at times, so dominant can he be. A later two-CD version combines much improved sound with the complete festival appearance, plus studio extras. 1956, It’s difficult at this distance, with so much noise and fury intervening, to credit the radicalism of John Lewis’ brief for the Modern Jazz Quartet, but back in 1956 they were doing stunningly new things in jazz in just about every musical area – form, content, arrangement, interplay and theory. It’s also important to stress Brubeck’s commitment to collective invention within his group: still an unusual thing in jazz in 1959. Album Best of lounge jazz - the ballads de New York Jazz Lounge : écouter en streaming et télécharger en MP3. Apart from the on-site near-riot after the conclusion of ‘Diminuendo And Crescendo in Blue’, this is a well-paced record for a lounge-chair audience wanting to know what the excitement was all about. Dulwich Road, Miles noticed too, quickly snatching Jarrett and DeJohnette for his own jazz-rock experiments that ushered in the dawn of a new era. Or of 20, 100, or any number that would place one recording before another. Post a comment! freedrowninglessons Joined Aug 2007 Saturday Oct 20, 2007, 04:20 AM GMT [Post1182883] Lady in Satin by Billie Holiday Her voice is pretty depressing. Get the complete Jazzfuel guide to The Different Types of Jazz, Last update on 2020-12-13 / Affiliate links / Images from Amazon Product Advertising API. Rec. (SN), Wynton Marsalis (t), Branford Marsalis (ss, ts), Kenny Kirkland (p), Charnett Moffett (b) and Jeff Watts (d). This set, first pulled together on vinyl in the 1960s and re-jigged many times on LP and CD since, preserves the best of a truly great big band and its leader. Rec. 1969, What a sleeve! We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Rec. Rec. 1960, Miles already had two bona-fide large-group masterpieces for Columbia down in the plus column with Miles Ahead and Porgy & Bess by the time he and Gil Evans assembled this finely-drawn re-workings of classical pieces of music generally associated with Spain. Rec. Rec. (KS), Wes Montgomery (g), Tommy Flanagan (p), Percy Heath (b) and Albert Heath (d). Rec. The original vinyl had just three tracks: this was also the original CD configuration. His solos would move through three stages, beginning with single-line improvisation, then shifting up a gear with passages in unison octaves, before building to a climax with lines stated in block chords. Tony Williams (d), Larry Young (org) and John McLaughlin (g). For 40 minutes you could believe, if you wanted to. (SN), John Handy (as), Mike White (el vn), Jerry Hahn (g), Don Thompson (b) and Terry Clarke (d). Recorded not long after his Blues And Roots, but Atlantic deliberately held that back for over a year because the bassist had signed his first contract with Columbia, the major whose distribution, especially to the white audience, was much more powerful. Ervin’s contributions, for instance, ‘Fables Of Faubus’‚ and the gospelised opener ‘Better Git It In Your Soul’, are a definition of “hot”, while Knepper on the deliberately old-fashioned ‘Jelly Roll’‚ makes it satirical and serious at the same time. Young (ts), Nat King Cole (p) and Buddy Rich (d). 1980, Duke Ellington discovered and recorded pianist-composer Dollar Brand aka Abdullah Ibrahim in 1963 playing in a more or less conventional jazz manner, but it took a long time for the South African township music he evolved in the 1970s to be accepted outside of Africa. Rec. Ornette set the musicians up in two parallel quartets, arranged some loose themes and collective playing to book end the entire performance as well as section off each solo, then let the musicians loose for a collective bout of improvisation that lasts well over half an hour reinventing the possibilities of jazz as it does so. So in a decade when the leitmotif was change, it’s arguable that Bitches Brew was the album that shook the music world up most. What this album did in fact contain and represent was a completely different and fresh set of musical signposts within the jazz vernacular, both in terms of the stunningly bright melodic patterns Ornette crystallised in his vibrant and beautiful compositions and in his off-the-wall improvisatory approach. Add to that ‘Little One’, previously recorded by Davis on ESP, and you have the concept album to end all concept albums. (KLG), John McLaughlin (g), John Surman (bs, ss), Brian Odges (b) and Tony Oxley (d). She may later have equalled this in other settings, but here the gauntlet was well and truly thrown down. The level of invention Powell achieves puts this recital on equal par with anything in the recorded annals of jazz piano and makes it basic required jazz listening. Seamlessly featuring soloists like Wayne Shorter, Johnny Coles and Phil Woods, this album is pure musical alchemy from a total original. 1996, From the opening ‘New York Minute’ this album bursts with energy and creativity. This album emphasises the latter talents: he uses his highly personal sense of composition and instrumental colour much as Jelly Roll Morton did back in the late 1920s, bringing out sensational new sonorities and ideas between the select group of musicians he is using here and goading them to some of their most eloquent playing, individually and collectively. Most famous album was a critically acclaimed duo recording with new York jazz Lounge: écouter en streaming et en... S improvisations appear as variations upon variations upon variations upon variations upon variations upon variations upon variations, from. Bandleader, are themed around magic and folklore available on Granz ’ s always greater than the of! 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